There are many features in Photos for Mac and iOS that I like, but until now, Filters was not one of them. My complaint was that there weren't many to choose from, and they often didn't look that great when applied full force. That's changed.

Tapping Filters in Photos for iOS

The Filters in Photos for both iOS and macOS Big Sur are now adjustable. And that's a whole new ballgame. For example, I applied Vivid Warm to this historic building in Santa Rosa, CA. At full force, the filter was just too strong and was not the effect that I was looking for.

In the past, this was the "take it or leave it" choice I faced. So I often left it. But now, once I tap on a specific filter, a slider appears next to it that allows me to adjust the intensity of the effect.

Adjusting the intensity of the applied filter.

For this image, 25 percent was the look I wanted. And that is a completely different result than 100 percent.

Adjustable Filters is just one of the refinements in Photos for macOS Big Sur and iOS. At last, I can actually use this feature of the software... and like it!

How to Watch Photos for macOS Catalina and iPadOS

Learn more about Photos for the Mac and iPad by checking out my course on LinkedIn Learning and on lynda.com. This course is perfect for Mac and iPad based photographers who shoot with iPhone, Mirrorless, and DSLR cameras. It covers both photography and movies. And if I say so myself, it's a lot of fun.

I'm currently working on an updated title that covers the latest iPhones, Big Sur, and more. Stay tuned for its release date.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #778, Feb. 16, 2021. Today's theme is "Tapping iPhone Video and the Settings You Need to Know" I'm Derrick Story.

Opening Monologue

As good as the pictures are from the latest iPhones, you could argue that the video is even more impressive. But those files also have a greater impact on your device than stills. Today we take a look at the marvelous movies we can capture, and how to do so creatively and wisely. I hope you enjoy the show.

Tapping iPhone Video and the Settings You Need to Know

If you're primarily a stills photographer, it's easy to overlook Video and SLO-MO in your camera app. Part of the reluctance could be that you don't really know what you're going to get when you tap the record button.

And to tell you the truth, if you haven't explored the Camera Settings, you're right. You could be recording a whole bunch of stuff that is way beyond what you need or could easily use. So let's take a closer look at the Camera Settings to ensure that you're ready to go the next time a great movie opportunity presents itself.

Settings to Note on an iPhone 12 Pro

Let's start with the iPhone 12 Pro because it's the latest and most capable movie making device. First go to Settings > Camera, and let's review the top section.

• Record Video - There are 6 options here ranging from 720p at 30 fps to 4K at 60 fps. Apple also lists how much space a minute of video will require at each setting, ranging from 45 MB per minute at 720p to 440 MB per minute at 4K 60fps. For most applications, I recommend a middle ground of 1080p at 30 fps, which gives you great quality at only 65 MBs per minute.
• Record Slo-Mo - There are two options here: 120 fps or 240 fps. And again, the file sizes differ substantially with 120 fps using 170 MBs per minute vs 480 MBs per minute for 240p. Plus, I think 240p is too slow for many uses. Set your default to 120p.
• Record Stereo Sound - Yes. The file size difference isn't that great, but the stereo audio can be far more interesting.
• Preserve Settings - If you know you're going to be shooting video primarily that day, I would turn this on so the Camera app returns automatically to video.

Techniques to Keep in Mind

Be methodical in your camera movements while recording. In movie making, you want the action to provide the movement, not the camera man. If you do need to pan, do so slowly and gracefully.

Capture vertically and horizontally when possible. We tend to prefer one orientation over the other, but unless you know exactly how the video will be used, it's good to record both ways.

You can change video recording rates on the fly by tapping in the upper righthand corner. So even if your default is HD at 30 fps, but there will be lots of action in that clip, then you can switch to HD at 60 fps just by tapping.

The video light can be very helpful. I use it as both a fill light and a main light, depending on the situation. I prefer it greatly as a fill light, however. You can turn it on and off by tapping in the upper left corner.

You can switch cameras while recording, but keep in mind that these are cuts without any transitions as you move from camera to camera. But this technique can be useful if used properly.

Once you start recording, a "stills button" appears on the screen that allows you to take full resolution pictures without disrupting the video capture.

You can now edit your movies in Photos for macOS Big Sur without having to launch a separate movie editing app. If you are using iCloud, they will automatically show up there. You can also adjust them in Photos for iOS on your iPhone.

Becoming familiar with these settings and techniques will help you be more confident recording movies with your iPhone. And as you gain confidence, your creativity will grow as well.

Happy movie making!

Second Session of Integrating iPhone into a Pro Photography Workflow Online Workshop - April 21 to May 15, 2021

The first session of "Integrating iPhone into a Pro Photography Workflow" Online Workshop has sold out. But now I've posted a second session that begins April 21, 2021.

If you're interested in attending, just go to catalog page.

In this workshop you will explore:

• Working with just one digital camera and an iPhone.
• Taking advantage of a versatile fast prime lens on your digital camera and using iPhone for additional focal lengths.
• Perfecting a RAW workflow with the iPhone.
• Leveraging Apple ProRAW for those who have iPhone 12 Pro.
• Building a kit that allows you to travel lighter without compromising capability.
• Post processing tips and techniques using Photos on Mac, iPad, and iPhone.
• Investigating other software and workflows to augment your imaging prowess.

You can sign up by visiting the workshop catalog page.

Apple M1 Mac mini Review: The Best Mac for Most Photographers

You can read the entire article on Petapixel.

Apple Silicon is the future of Mac computers, and the M1 Mac mini already delivers enough graphics and CPU performance for the majority of photographers. Here are the Pros.

• Fastest Apple Silicon Mac (as of this writing)
• Cheapest Apple Silicon Mac (as of this writing)
• Full speed Thunderbolt/USB-4
• Can power a 6K display at 10-bit color and 60Hz
• Minimalist, out-of-the-way design

On the downside...

• Not portable
• Peripherals not included
• Middling GPU performance
• Only two TB4 and USB Type-A ports
• HDMI 2.0 (not 2.1)

There's an elephant in the room at every M1 Mac review, and it's the fact that these are 1st generation devices. The M1X or M2 or whatever comes next will be better, and Apple will definitely put more GPU performance into the rumored Apple Silicon iMac, 14-inch MacBook Pro, and 16-inch MacBook Pro. But here's the thing: for photographers and photo editing, these things will suffer from the law of diminishing returns.

Additional GPU performance costs money, a nice iMac or MacBook Pro display costs money, and the additional CPU performance or RAM baked into the next generation Apple Silicon will also probably cost you some extra money.

If you're running a professional studio, that might be an investment worth making. But for the rest of us, for most of us, if you want to do your photo editing in the Apple ecosystem, the M1 Mac mini hits that sweet spot of price-to-performance that is so rare for Apple computers.

The New Donation Kit for Carefree Shipping of Found Film Cameras

We have more time around the house than ever. And you finally dove into that bedroom closet that's been begging for some organization.

If you found a film camera that you're no longer using, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

If it's a camera we can use for the shop, I'll send you a Donation Kit that includes a USPS Priority Mail shipping box and prepaid label. All you have to do is tape it up, insert the camera, and add the label. USPS will pick up your shipment from the front door of your house during their regular mail delivery. It's that simple!

Your donation help get analog gear in the hands of aspiring fine art photographers, and the proceeds help support this podcast.

Virtual Camera Club News

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

Product Links and Comments

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

I've always been fond of the iPad mini. But my affection grew deeper when Apple released iPadOS that opened the door to more capability. Now, a year later, I can't imagine work without it.

Even though I use this tablet for everything from reading the NY Times, to checking email, to running TheFilmCameraShop, my focus for this post is its usefulness for photography. Considering that this device fits just about anywhere, I'm impressed with how versatile it is.

Powerful Imaging Apps

Here are my "go to" imaging apps that I use with the mini.

• Photos for iPadOS - Photos is one of those apps that I think photographers don't take seriously enough. The editing tools are solid, and if you shoot with a modern iPhone, there are amazing things you can do with this app, such as changing the depth of field of your portrait shots in post production.
• RAW Power - Not only can it tap right in to your Photos library, once you're there, RAW Power puts an incredible set of editing tools at your fingertips. Whether the images are imported from a digital camera, or captured with an iPhone, you can get the most out of them with this app. It even has Depth Effect adjustments for iPhone portraits. (I also use it regularly for my infrared work because it has a channel mixer and LUT capability.)
• Pixelmator Photo - Like RAW Power, Pixelmator lets me tap your Photos library, or work at the file level, and can easily switch back and forth. If there's a picture I want to edit on your iPad, Pixelmator can get to it. Plus it has fantastic tools including a Retouch Brush and Channel Mixer. Lots of creative filters to experiment with are included in the app. And Pixelmator has incorporated Machine Learning into the software for excellent automated results. I can even "sample up" my 12MP iPhone files to higher resolution. All of this on an iPad mini that goes just about anywhere.
• Lightroom Mobile - For those in the Adobe ecosystem, Lightroom Mobile is the perfect addition to the iPad workflow. This app has continued to evolve intelligently, and add to the mix its big brother, Photoshop for iPad, and that's a powerful tandem. All of your work can be stored in Adobe Creative Cloud, so you can pick up right where you left off when you return to the computer (if you ever do...).

Apple Pencil

When Apple refreshed the iPad Mini, they added Apple Pencil capability. This is a feature that I wanted, but I wasn't sure how much I would use in day to day life.

As is turns out, the pencil is in my hand quite a bit. I particularly like it for marking up photographic illustrations when I'm trying to explain how to do something. But I also like it for image editing and making handwritten notes. It's as fun as it is useful.

A Real Web Browser

There are so many things about iPad OS that I like. But the most important is a real web browsing experience that allows me to use the device for administrating my blog and managing the store. I can now do anything on the tablet that once required a laptop. Fold in the touch screen and Apple Pencil, and it's an enjoyable tool for real work.

Related to this are its connectivity options. I do use WiFi when I can, but the cellular expands its boundaries. Since I use AT&T for the iPhone, I opted for Verizon with the iPad. Rarely am I unable to connect to get work done, regardless of my location.

For this photographer/writer, it's vital that I am able to work from anywhere. Combine the real web browser with outstanding connectivity options, and I can.

Final Thoughts

Nimble photography has been a mantra of mine for years. But that practice isn't limited to my camera gear. Everything has to work together for me to be truly agile in this world.

Last night, I transferred an IR shot from my Olympus E-M10 Mark III to the iPad mini via WiFi. I edited the image in RAW Power, then published it online.

Fantastic tools that fit in my jacket pocket. That's what Nimble Photography is to me.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

One of my favorite discoveries with the iPhone 12 Pro is the ability to change the depth of field while editing in Photos for iOS for my Portrait captures. It's truly amazing and very easy.

Depth of field adjusted to f/2.0 in Photos for iOS after the shot was captured in Portrait mode on an iPhone 12 Pro Max.

Depth of field changed to f/16 in Photos for iOS after the shot was captured in Portrait mode on an iPhone 12 Pro Max.

The steps are easy. First, capture your picture in Portrait mode with the iPhone. View the image in Photos for iOS on the iPhone or iPad. Go to Edit mode and tap on the "f" in the upper left corner. When it highlights, a Depth Scale should appear on the right side of the interface. Choose the depth you want for the picture. The background will change before your very eyes.

Now you have complete control over the softness of the background.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #777, Feb. 9, 2021. Today's theme is "Protect Your Camera Gear from Theft" I'm Derrick Story.

Opening Monologue

Smash and grab is becoming more commonplace, and we can't take anything for granted when it comes to protecting ourselves and our cameras. On today's show I will share a few real life stories to illustrate this point, then review the steps we can take to circumvent criminal acts against us. Thanks for joining me.

Protect Your Camera Gear from Theft

I want to begin by sharing a couple stories that illustrate how bold thrives have become.

Gas Station Smash and Grab

After our Bodega Bay workshop in 2019, one of our photographers stopped at a gas station on his way to the airport. His camera gear was in the back of a rental SUV that he locked when he went inside to get a couple things.

In just those few minutes, thieves smashed the back window of his rental and took all of his gear.

Photographers Robbed While Stuck in SF Traffic, Lose $7,000 in Camera Gear

As reported on Petapixel.

This may be the modern-day equivalent of a stagecoach robbery: a pair of photographers were just brazenly robbed while they were sitting in traffic in San Francisco. Robbers smashed their rear window and stole a bag filled with $7,000 in gear, and it was all caught on camera.

ABC7 reports that husband-and-wife real estate photographers Ben and Masha of Home Shots were waiting to get onto the Interstate 80 onramp at around 4:30 p.m. on Friday afternoon after finishing a photo shoot near Dolores Park.

As the video above shows, a dark Honda then pulled up alongside the photographers' Prius. A man jumped out, quickly smashed the rear window, grabbed the equipment bag that was in the trunk, hopped back in the car, and sped off.

The whole incident lasted about 10 seconds from start to finish, and it was caught on camera from behind by a Tesla driver named Alex, who then pulled over and exchanged contact info with the photographers.

Masha, who had been driving the car, had noticed the dark car following them after they had left the photoshoot.

Ben estimates that his stolen gear, which included a camera, lens, drone, and gimbal, was worth around $7,000.

Robbers Target Photo Shoot in San Diego Park, Shoot Man in Struggle

As reported on Petapixel.

A man was shot in a San Diego park this weekend after a group approached and attempted to steal the camera equipment being used.

FOX 5 reports that a 25-year-old man and a 24-year-old man were doing a photoshoot at around 6:49 p.m. on Saturday in Chicano Park of the Barrio Logan neighborhood when they were approached by six young people -- three males and three females in their late teens or early twenties.

When the group attempted to steal the gear, the two men fought back.

"A struggle ensued and during the struggle, one of the male suspects pulled out a gun and shot multiple rounds at the victims," San Diego Police Officer Robert Heims tells FOX 5.

Luckily, both of the victims escaped with their lives -- the suspects shot the 24-year-old in the lower abdomen and gave the 25-year-old a bloody lip before getting into a black Honda sedan and driving away. The gunshot victim was taken to an area hospital with a wound that isn't considered to be life-threatening.

San Diego gang detectives are now investigating the attempted robbery and assault.

Steps You Can Take to Protect Yourself

Nimble Photography is more than just traveling light to relieve tired shoulders, it's also practice to keep you inconspicuous while enjoying the hobby you love. My current recommendation of traveling with just a smartphone and a compact camera provides you with tremendous capability and no camera bag.

Camera Insurance can often be purchased as a rider to your existing home owners or renters policy and can help you replace gear if criminals successfully strike.

Keep Your Gear with You, even while driving is a necessary practice these days. I never leave my valuables in the car, even if I'm just dashing into the local convenience mart. While driving, I keep my stuff in the front seat by my side.

Be Urban Smart - Stay aware of your surroundings, stand tall, avoid vulnerable locations, always have a exit plan, and listen to your inner voice.

Lock Up Your Gear at Home - I have both a safe and a locking cabinet to slow down thieves who may be contemplating a crime against me.

With a little luck and by following these practices, you should be able to avoid the misfortune that I described at the top of the show. Be careful out there!

Royal Photographic Society makes 165 years of its Journal free online

You can read the article here on DP Review.

The Royal Photographic Society has digitized its archive and made issues of its magazine, the RPS Journal, free to read online. Visitors to the Society's website will be able to read issues dating right back to the first magazine that was published on 3rd March 1853. The frequency of publication has varied slightly over the years, but the RPS claims The Journal is the longest continuously published photographic periodical in the world. The current format of the magazine is published six times a year, and the free archive covers 1853 to 2018, said to be over 30,000 pages of searchable articles packaged into 158 volumes of publications.

The RPS covers a full range of photographic interests from professional, technical and scientific to pure enthusiast and artistic, and that breadth is reflected in the content of The Journal. It was the end of 1800's before pictures appeared -- and even then they are drawings of the photographs due to be shown in an exhibition -- and members had to wait until the 1920s before photographs were able to be printed on the pages.

The Journal's archive is a fantastic record of photographic technology as well as of changing styles and the growth of popularity of photography as a pass-time as well as a profession. Its advertising pages give us a running commentary of camera equipment and consumables over the last century and a half, regular picture-based features chart movements in technique and art, while the search feature will take you directly to coverage of major, and minor, photographers since the beginning of photographic time. You can even find results under 'Demolder'! For more information see the Royal Photographic Society's website.

Urth Lens Mount Adapters for Vintage Optics to Mirrorless Cameras

I've been testing various lens mount adapters and wanted to mention to you one of my favorites: the Urth/Gobe line of Lens Mount Adapters. They are affordable, usually around $32, very well made, and you can find combinations that are difficult to locate elsewhere. For example, I bought a Pentax DA mount to Fujifilm X-Mount adapter that works fantastic.

Vintage lenses on mirrorless cameras are a great way to get the creative juices going. And these mounts make it a successful endeavor.

The New Donation Kit for Carefree Shipping of Found Film Cameras

We have more time around the house than ever. And you finally dove into that bedroom closet that's been begging for some organization.

If you found a film camera that you're no longer using, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

If it's a camera we can use for the shop, I'll send you a Donation Kit that includes a USPS Priority Mail shipping box and prepaid label. All you have to do is tape it up, insert the camera, and add the label. USPS will pick up your shipment from the front door of your house during their regular mail delivery. It's that simple!

Your donation help get analog gear in the hands of aspiring fine art photographers, and the proceeds help support this podcast.

Virtual Camera Club News

Waiting List for a Second Session of Integrating iPhone into a Pro Photography Workflow Online Workshop

The first session of "Integrating iPhone into a Pro Photography Workflow" Online Workshop has sold out. But I've created a wait list for a second session that would begin in mid-February. If we get enough interest for a second session, I will open registration for it.

If you're interested in attending, just go to The Nimble Photographer and click on Workshops. There's no charge to get on the wait list.

In this workshop you will explore:

• Working with just one digital camera and an iPhone.
• Taking advantage of a versatile fast prime lens on your digital camera and using iPhone for additional focal lengths.
• Perfecting a RAW workflow with the iPhone.
• Leveraging Apple ProRAW for those who have iPhone 12 Pro.
• Building a kit that allows you to travel lighter without compromising capability.
• Post processing tips and techniques using Photos on Mac, iPad, and iPhone.
• Investigating other software and workflows to augment your imaging prowess.

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

Product Links and Comments

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

One of the projects that we're working on in our Integrating iPhone into a Pro Photography Workflow Workshop is experimenting with creatively capturing a scene with two nimble devices. The idea is, how can you leverage the best of a digital camera and a late model iPhone when traveling light in the field.

Here is an example of an iPhone-Camera Couple that I recorded yesterday at a rest stop on Interstate 5 in Northern California.

iPhone 12 Pro Max image using the Ultrawide lens. Photos by Derrick Story.

Olympus OM-D E-M10 Mark III dual spectrum camera with a Kolari Vision K665 filter.

Even though I'm traveling very light - just a mirrorless camera and an iPhone - I have many creative options... and no camera bag to lug around!

Our workshop participants are currently working on their own iPhone-Camera Couples. I'm really looking forward to what they come up with.

If you're interested in this sort of work, we have a Waiting List available for the next session of the Integrating iPhone into a Pro Photography Workflow Workshop. Put your name down, and I will contact you once we have a full boat.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #776, Feb. 2, 2021. Today's theme is "New Cameras for 2021" I'm Derrick Story.

Opening Monologue

Sony, Fujifilm, Leica, and Canon get 2021 off to a great start by launching a variety of cameras. From Sony's flagship full frame mirrorless to Canon's AI powered bot, there's bound to be something for everyone. I provide an overview of all this tantalizing gear in today's TDS Photography Podcast. I hope you enjoy the show.

New Cameras for 2021

OK, let's dig in and see what's waiting for us...

Leica M-10P Reporter - Inspired by Leica's history and connection with press and reportage photography, the M10-P "Reporter" is a special edition rangefinder camera featuring a streamlined body design along with a characteristic dark green paint finish. The camera also sports a highly durable scratch-resistant coating and is fitted with Kevlar trim for an even more rugged appearance and enhanced grip. This camera is part of a limited edition of 450 units.

• 24MP Full-Frame CMOS Sensor
• Leica Maestro II Image Processor
• Optical 0.73x-Magnification Viewfinder
• 3.0" 1.04m-Dot Touchscreen LCD
• ISO 100-50000, up to 5-fps Shooting
• Built-In Wi-Fi
• Redesigned Shutter, Built-In Level Gauge
• Stills-Only Operation
• Dark Green Finish with Kevlar Trim

The Leica M-10P Reporter is available now for $8,795 (Body Only).

=================================

Sony Alpha 1 Mirrorless Digital Camera - Full-frame mirrorless offers high-resolution for stills shooting and impressive 8K video recording.

• 50MP Full-Frame Exmor RS BSI CMOS Sensor
• Up to 30 fps Shooting
• ISO 50-102400
• 8K 30p and 4K 120p Video in 10-Bit
• 4.3K 16-Bit Raw Video Output
• 9.44m-Dot EVF with 240 fps Refresh Rate
• 759-Pt. Fast Hybrid AF, Real-time Eye AF
• 5-Axis SteadyShot Image Stabilization
• Dual Drive Mech. Shutter, 1/400 Sec Sync
• 5 GHz MIMO Wi-Fi, 1000BASE-T Ethernet
• Dual CFexpress Type A/SD Card Slots

You can pre-order the Sony Alpha 1 for $6,498 (Body Only). Shipping begins March 4, 2021.

=================================

FUJIFILM GFX 100S Medium Format Mirrorless Camera - Pairs an ultra high-resolution 102MP sensor with an impressively compact and portable mirrorless camera body design.

• 102MP 43.8 x 32.9mm BSI CMOS Sensor
• X-Processor 4 Image Processor
• 4K30 Video; F-Log Gamma, 12-Bit Raw Out
• 3.69m-Dot OLED EVF
• 3.2" 2.36m-Dot Tilting Touchscreen LCD
• 5-Axis Sensor-Shift Image Stabilization
• 425-Point Phase-Detection Autofocus
• ISO 100-12800, Up to 5 fps Shooting
• 400MP Pixel Shift Multi-Shot
• 19 Film Simulation Modes

The FUJIFILM GFX 100S will begin shipping March 11, 2021 for $5,999 (Body Only).

=================================

FUJIFILM X-E4 Mirrorless Digital Camera with XF 27mm f/2.8 R WR Lens - Featuring the same 26.1MP X-Trans CMOS 4 APS-C sensor and X-Processor 4 from the flagship model, the X-E4 offers rich color rendering, wide dynamic range, and an impressive sensitivity range for working in difficult lighting conditions.

• 26.1MP APS-C X-Trans BSI CMOS 4 Sensor
• X-Processor 4 Image Processor
• DCI/UHD 4K at 30 fps, Full HD at 240 fps
• 2.36m-Dot 0.62x OLED EVF
• 3.0" 1.62m-Dot 180° Tilting Touchscreen
• 425-Point Hybrid AF System
• ISO 160-12800, up to 30-fps Shooting
• Bluetooth and Wi-Fi Connectivity
• Film Simulation Modes
• XF 27mm f/2.8 R WR Lens

The FUJIFILM X-E4 with XF 27mm f/2.8 R WR Lens will be available beginning March 11, 2021 for $1,049 including the lens. The body only will be $849. So you get that great lens for only $200.

=================================

Canon unveils AI-powered automatic camera, the PowerShot PICK - Full story on DP Review.

The experimental PowerShot PICK camera can analyze a scene, identify people, track their faces and then, using artificial intelligence, determine the ideal moment to capture a photo. In a rough translation, Canon refers to the PICK as an 'automatic shooting camera.' The PowerShot PICK combines Canon's optical, video processing, and artificial intelligence technology.

The PowerShot PICK uses a 1/2.3-inch 12MP CMOS image sensor. The sensor is paired with a 19-57mm equivalent zoom lens with a maximum aperture of F2.8. The PICK includes built-in image stabilization. The PICK pans 170° in both directions and can tilt 110°. The PICK records to a microSD card and weighs a mere 170g. As you can see in the video above, the PICK is small, with a height of about 3.5" (90mm) tall.

While the PICK is designed to take photos automatically in the background, which Canon believes will result in more authentic images and better mementos, the PowerShot PICK can also be manually controlled using keywords. A user says, 'Hello PICK,' followed by commands to take a photo, record video, change subjects and stop capturing.

The PICK will launch alongside a dedicated smartphone app, allowing you to view and share photos and videos captured by PICK. The app automatically recommends the best photos, although you can view all images.

The Canon PowerShot PICK is currently available only to backers on Makuake. The price for the PICK works out to just under $400. Given the campaign's success, the only remaining units are for the PICK and charging cable. The tripod bundle has sold out. Canon intends to ship the PICK to backers this July. Canon hasn't announced global or public release plans, so it's unclear if the PowerShot PICK will be available outside of Japan.

The Infrared Photography Workshop

If you want to learn the ins and outs of IR photography from the comfort of your home during this online event, then check out The Infrared Photography Workshop that begins in mid-March.

We'll start with an orientation meeting in early February to help you get your gear in order. That will give you time to get situation and familiar with your camera. We then begin instruction in mid-March.

You will learn how to:

• Choose best IR filter to start with.
• How to test your existing digital camera for infrared sensitivity.
• Learn about the different types of IR conversions for digital cameras.
• See how different IR filters produce wildly different results.
• Learn how to fine-tune your images with software you already own.
• Discover advanced techniques to take your images to the next level.

You can sign up now for $145. Inner Circle Members, visit out Patreon site for a discount coupon code.

ON1 Makes Good on Promise, Adds Plugin Support for Capture One

You can read the article here on PetaPixel.

ON1 has announced that its Effects, Portrait AI, Resize, and HDR plugins are now compatible with Capture One. The latest versions of these plugins were announced last year with the promise for Capture One support "soon." That promise has been fulfilled.

Originally launched for Adobe Lightroom Classic and Photoshop, Affinity Photo, Corel Paintshop Pro, and Apple Photos, ON1's addition of Capture One to that mix nicely fills out its support for the majority of photographers who want to use the company's plugins.

The ON1 Professional Plugins for Capture One are available individually for $69.99. Those who want all four plugins can get the ON1 Professional Plugin Bundle for $99.99. 14-day trials for each plugin are also available. A single purchase of any ON1 plugin includes both Windows and macOS versions, for use on two computers, and support for 11 languages.

The New Donation Kit for Carefree Shipping of Found Film Cameras

We have more time around the house than ever. And you finally dove into that bedroom closet that's been begging for some organization.

If you found a film camera that you're no longer using, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

If it's a camera we can use for the shop, I'll send you a Donation Kit that includes a USPS Priority Mail shipping box and prepaid label. All you have to do is tape it up, insert the camera, and add the label. USPS will pick up your shipment from the front door of your house during their regular mail delivery. It's that simple!

Your donation help get analog gear in the hands of aspiring fine art photographers, and the proceeds help support this podcast.

Virtual Camera Club News

Waiting List for a Second Session of Integrating iPhone into a Pro Photography Workflow Online Workshop

The first session of "Integrating iPhone into a Pro Photography Workflow" Online Workshop has sold out. But I've created a wait list for a second session that would begin in mid-February. If we get enough interest for a second session, I will open registration for it.

If you're interested in attending, just go to The Nimble Photographer and click on Workshops. There's no charge to get on the wait list.

In this workshop you will explore:

• Working with just one digital camera and an iPhone.
• Taking advantage of a versatile fast prime lens on your digital camera and using iPhone for additional focal lengths.
• Perfecting a RAW workflow with the iPhone.
• Leveraging Apple ProRAW for those who have iPhone 12 Pro.
• Building a kit that allows you to travel lighter without compromising capability.
• Post processing tips and techniques using Photos on Mac, iPad, and iPhone.
• Investigating other software and workflows to augment your imaging prowess.

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

Product Links and Comments

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Since I've been working more with the iPhone 12 Pro Max, I've found myself wanting to push the envelope for those lovely ProRAW files. One of my old friends, Raw Power for iOS not only taps ProRAW capability, it has some unique tools that you won't find in the standard Photos app. One of my favorites is the ability to add LUTs (lookup tables) to my pictures.

Raw Power running on an iPad mini editing a ProRAW picture. Here I'm applying a Fujicolor Provia film simulation LUT.

Not only does the app come with a nice selection of built-in LUTs, such as a collection of Fuji film simulations, but you can add your own. For example, I've added a handful of Red/Blue swap LUTs so I can quickly edit my IR shots in Raw Power on the iPad. (Raw Power also includes a great Channel Mixer!)

If you're upping your iPhone photography game, especially with the new models, then why settle for the "out of the can" look? Work those files! And tapping LUTs is one fun and easy way to do so.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

After you've converted a camera for infrared photography, you need to think about how you're going to creatively work with the images you copy to your computer.

"Picket Fence" - Olympus E-M10 III converted by Kolari Vision with K590 nm IR filter. Processed in Photos plus editing extensions. Photo by Derrick Story.

The most common workflows rely on Photoshop to handle the basic duties of blue/red channel swap and basic processing of IR images. But you don't have to go this route. I've been using Photos for macOS with a handful of editing extensions: RAW Power, Pixelmator Pro, and Luminar 4. These extensions allow you to base your workflow in Photos, but still tap the functions of those powerful apps.

In this post, I'll show you one example of this approach using RAW Power.

RAW Power to the Rescue

Begin by downloading and launching RAW Power. (You can purchase this software at the Mac App Store for $29.99.) Then go to System Preferences > Extensions > Photos Editing and enable RAW Power. You're now set to go. You only have to do this step once. From now on, you can access RAW Power from within Photos.

Next, open your RAW IR image in Photos and go to Edit mode. (We're working with a color picture captured on a full-spectrum camera with a 590 nm IR filter.) Don't make any adjustments at this point with the native tools in Photos. We'll save those for finishing touches. Instead, go to the "three dots" at the top of the editing panel and choose RAW Power.

The unedited RAW infrared image in Photos. Don't be tempted to make any adjustments yet with the sliders in Photos. Instead, go directly to your Editing Extension. In this case, RAW Power.

In RAW Power, start by making any basic exposure adjustments to get the image to a good starting point. Then, add the Channel Mixer to your Adjustments panel by selecting it from the Add Adjustments dropdown menu. Now you can perform the Red/Blue channel swap that is often desired with color IR images. Go to the Red channel and set Red to 0 and Blue to 100. Then go to the Blue channel and set Red to 100 and Blue to 0. You can play with the Constant slider to fine tune your conversion.

Using the Channel Mixer and other adjustments in RAW Power to begin to shape the image.

You can use the other tools in this editing extension to further enhance the picture before returning to the Photos interface. Once you're at a stopping point, click on Save Changes to return to Photos.

Photos for Finishing Touches

You can continue to play with the picture in Photos, or you can send it to another editing extension such as Luminar.

Back in Photos, you can use its adjustment tools to further refine your image. And if you want, you can open it in another editing extension, such as Luminar, to take advantage of its effects.

The great thing about this workflow is that all your efforts are automatically backed up to iCloud and shared across all of your Apple devices. So you can show off your work on your iPhone, iPad, or another Mac. Or, of course, you can share to social media. And at no point in this workflow do you need Photoshop.

Final Thoughts

In terms of Editing Extensions, if you prefer Pixelmator Pro to RAW Power, it also has a Channel Mixer. So that's definitely a good option. Luminar 4 and newer no longer offer Channel Mixers, but Luminar is still good for finishing touches. And finally, RAW Power supports LUTs. There are a number of these profiles available that provide more automated conversions of infrared pictures. Just something to keep in mind as you explore your options.

The Infrared Photography Workshop - Online March 2021

Do you feel like the world is looking like "the same old same old" through your camera's viewfinder? Have you felt your enthusiasm for photography waning as the pandemic wears on? Then it's time for you to consider exploring infrared imaging. This online event will reenergize your creativity and show you how to produce images that are unique and bursting with life.

You can learn more and sign up by visiting The Infrared Photography Workshop Page. Hope to see you there!

Product Links and Comments

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #775, Jan. 26, 2021. Today's theme is "What to Do with Your Old Digital Camera?" I'm Derrick Story.

Opening Monologue

As time marches on and we acquire new gear, there remains the question of what to do with our aging cameras. Unless it's a relatively new model, chances are good that it isn't worth much on the used market. So then what? I present some ideas on today's TDS Photography Podcast.

What to Do with Your Old Digital Camera?

I try to limit the amount of excess stuff in my home and at work. This takes a surprising amount of vigilance. I've learned that if I slack off just for a year or so, I'll notice things piling up in my closet and on the shelves.

Most of these items can be recycled, some can be donated, but I've noticed that digital cameras occupy an unique niche in this challenge that isn't easily managed.

First of all, they still work. Just because a camera doesn't have the latest specs doesn't mean it isn't useable. Second, they usually represent a sizable investment. And finally, I often have an emotional attachment because of the places I've been and the things I've done with a camera.

As a result, I've worked up some ideas that make this challenge palatable. And I thought that I would share them with you.

5 Ideas for Used Digital Cameras

• Convert it to an Infrared camera - This is a great way to keep an old friend by your side. As I discussed last week, IR photography is invigorating. And you may just fall in love all over again. I recommend Kolari Vision for this service.
• Swap it for other gear that you need - I've done this more than I would have imagined possible. If I have a camera that I want to upgrade to a newer model, I've been lucky enough to trade it for some other gear that I needed.
• Donate it to education For many students, equipment costs is a barrier to them taking a photography class. And many high schools and junior colleges accept donations to help mitigate this problem.
• Find a specialty use for it - I did not want to part with my Olympus OM-D E-M5 Mark II, even though I wasn't using it in the field any longer. I now keep it in the studio for my product photography for TheFilmCameraShop and for my blog posts on TDS. Web publishing doesn't require lots of pixels, and my older cameras work perfectly in this scenario.
• Use it in high risk situations - Whether it's a river raft trip or as a loaner to someone learning photography, it's far better to meet an ill fate with a camera that you're no longer depending on.

The bottom line is, nobody likes to be put out to pasture, not even digital mechanical devices that can still have purpose in life. Pull that camera off the shelve and see what you can do with it.

The Infrared Photography Workshop

If you want to learn the ins and outs of IR photography from the comfort of your home during this online event, then check out The Infrared Photography Workshop that begins in mid-March.

We'll start with an orientation meeting in early February to help you get your gear in order. That will give you time to get situation and familiar with your camera. We then begin instruction in mid-March.

You will learn how to:

• Choose best IR filter to start with.
• How to test your existing digital camera for infrared sensitivity.
• Learn about the different types of IR conversions for digital cameras.
• See how different IR filters produce wildly different results.
• Learn how to fine-tune your images with software you already own.
• Discover advanced techniques to take your images to the next level.

You can sign up now for $145. Inner Circle Members, visit out Patreon site for a discount coupon code.

Turning Off Your Camera on a Zoom Call Helps Save the Planet

You can read the article here on PetaPixel.

If you often find yourself in Zoom meetings in which others on the call don't need to see your face, you now have a great excuse for leaving your camera off: it can help save the environment.

A new study conducted by researchers at Purdue, Yale, and MIT has found that one hour of videoconferencing emits up to 1 kilogram of carbon dioxide, uses up to 12 liters (3.2 gallons) of water, and requires a piece of land the size of an iPad Mini.

In their new paper titled "The overlooked environmental footprint of increasing Internet use" and published in the journal Resources, Conservation and Recycling, the scientists noted that leaving your camera off during that hour-long call could reduce that footprint by a whopping 96 percent.

Turning off a camera for 15 hour-long meetings every week would reduce carbon dioxide emissions by 9.4 kilograms (20.7 pounds) per month. If one million Zoom users did this, they would save 9,000 tons of CO2, the equivalent of coal-powered energy used by a city of 36,000 in that same month.

The New Donation Kit for Carefree Shipping of Found Film Cameras

We have more time around the house than ever. And you finally dove into that bedroom closet that's been begging for some organization.

If you found a film camera that you're no longer using, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

If it's a camera we can use for the shop, I'll send you a Donation Kit that includes a USPS Priority Mail shipping box and prepaid label. All you have to do is tape it up, insert the camera, and add the label. USPS will pick up your shipment from the front door of your house during their regular mail delivery. It's that simple!

Your donation help get analog gear in the hands of aspiring fine art photographers, and the proceeds help support this podcast.

Virtual Camera Club News

Waiting List for a Second Session of Integrating iPhone into a Pro Photography Workflow Online Workshop

The first session of "Integrating iPhone into a Pro Photography Workflow" Online Workshop has sold out. But I've created a wait list for a second session that would begin in mid-February. If we get enough interest for a second session, I will open registration for it.

If you're interested in attending, just go to The Nimble Photographer and click on Workshops. There's no charge to get on the wait list.

In this workshop you will explore:

• Working with just one digital camera and an iPhone.
• Taking advantage of a versatile fast prime lens on your digital camera and using iPhone for additional focal lengths.
• Perfecting a RAW workflow with the iPhone.
• Leveraging Apple ProRAW for those who have iPhone 12 Pro.
• Building a kit that allows you to travel lighter without compromising capability.
• Post processing tips and techniques using Photos on Mac, iPad, and iPhone.
• Investigating other software and workflows to augment your imaging prowess.

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

Product Links and Comments

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.