This is The Digital Story Podcast #683, April 16, 2019. Today's theme is "What Makes Nikon, Nikon?" I'm Derrick Story.

Opening Monologue

Nikon is celebrating 60 years of the Nikon F, which was released in 1959 to overcome technical obstacles inherent in the rangefinder design. At that time, the F wasn't designated as a professional camera. But that soon changed. And the events that fueled its evolution are the subject of today's TDS podcast.

What Makes Nikon, Nikon?

Anyone who has ever pressed the shutter button and wound the film advance on an analog Nikon camera, knows that they were a marvel of mechanical design. And that's one of things that always stood out for me with those early Nikons, was attention to detail.

To help illustrate this point, here is a common scenario for me. I will purchase some forgotten Nikon that had been sitting in someone's garage for decades. On the outside, it will be covered in layers of fine grime that had settled on it over the years. It probably endured extreme temperatures as well.

More often than not, after a through cleaning of the exterior, and replacing the rubber seals in the back, the camera will fire up, take a picture, and wind with the precision of a finely designed machine. How many of today's cameras would fare as well under those conditions?

There are definite milestones to the evolution of the Nikon SLR and DSLR. For today's show, I'm choosing five of them that I think make Nikon, Nikon.

• 1959 - The Introduction of the Nikon F - Nikon rangefinders were popular cameras and sold well. But there were a handful of technical challenges that required a new camera design. One of the problems that had to be solved was attaching longer, telephoto lenses, which was difficult to do on rangefinders. Another was designing a large, inner diameter lens mount to accommodate faster lenses and reducing vignetting. Plus, a total system camera with a wide variety of interchangeable lenses and accessories seemed to be the path forward. (Source: The Phoblographer.)
• 1959 - World's First Telephoto Zoom Lens - In the same year, Nippon Kogaku K.K. released the Auto NIKKOR Telephoto-Zoom 8.5 - 25cm f/4-4.5--the world's very first telephoto zoom lens for still photography cameras. Source: Nikon Rumors.
• 1971 - NASA and the Nikon F2 - 1971 was a busy year for Nikon. First, the production of Cameras for NASA, which commissioned a specially designed, space-ready cameras for their Apollo 15 and 17 missions. The result was the Nikon Photomic FTN, which was constructed to withstand the extreme environments of space.
  Also that year, Nikon releases the iconic Nikon F2, which was a reliable, easy-to-use, and feature-packed camera heavily patronized by professional photographers, especially newspaper and magazine photographers of that decade. Source: Nikon Rumors.
• 1972 - World's First Extra-Low Dispersion Lens - The NIKKOR-H 300mm F2.8, which was the first lens to use extra-low dispersion glass, was released. This technology is widely used today by practically all lens makers.
• 1986 - First SLR with Built-In Autofocus - The Nikon F-501 (N2020) is released. It was the first Nikon SLR camera to have its autofocus mechanism controls built into the body. Apart from its outstanding features, the F-501 also sported a different look compared to previous models. The black polycarbonate body instead of metal was one obvious change; another is the extended grip on the shutter button side. However, it also borrowed the red stripe that first appeared in the F3, but placed horizontally instead of vertically. (Source: The Phoblographer.)
  BTW: this camera is truly under-rated. It has a fantastic feature set and great durability, and can be purchased today for less than $100.

Other fun facts include that the iconic red line made its debut in 1980 with the Nikon F3. In 1992, Nikon released the NIKONOS RS, the first underwater SLR with autofocus. And in 2004, the company releases the Nikon F6, which was to be the final installment in their highly popular flagship Nikon F-series line. The F6 combines the well-loved features of the previous Nikon F cameras and the latest technological advances during this time. Source: Nikon Rumors.

The release of the F6 marks the end of an era, but Nikon does not slow down, with subsequent milestones including the first camera with WiFi, first DSLR with video capture, and back to space with the International Space Station.

But after all of this, what still makes Nikon to me is a company that's priority is making cameras, lenses, and the accessories for them. Their optical expertise expands to microscopes, surveying equipment, and scanners. And they don't stray far from products that don't include lenses.

Regardless of which camera brand you favor and shoot with, chances are good that Nikon technologies have in some part influenced them. And their 60 year run with the F Mount has been good for all of photography.

Wedding photographers reveal the 'red flags' they see at ceremonies that signal a doomed marriage - including no eye contact and poor 'cake etiquette'

This is an excerpt from an article published on The Daily Mail.

A group of wedding photographers have revealed the relationship 'red flags' they have noticed at ceremonies over the years that ultimately signaled a 'doomed' marriage. The photographers formed Reddit thread to explain how various simple moments at weddings ultimately spelled the start of a marriage breakdown.From smashing cake into one another's faces to fighting on the day of their nuptials, these were the tell-tale signs they could all agree on.

• Whether there was cake etiquette - Couple needs to be in sync. "Sometimes one of them (usually the groom) will force cake all over the other's face and embarrass and upset them. I've seen this happen a handful of times and all of those relationships that I have kept up with have ended in a divorce."
• Having a bad fight on the day - "If they are respectful toward one another (and toward me) during a day full of stress then I think that's a good indicator of being able to deal with other problems that may arise during a marriage," a woman said.
• When the couple are very quiet or won't talk - Just as overly loud and obnoxious couples can signal trouble, those that barely speak throughout the day are also a concern, so says their photographers.
• Wanting to change a partner
• The omen of getting married outdoors - So other professionals chimed in to say they distrusted any sort of outside venue at all. Just try to be under some sort of cover. Whether it be rain or wind, you'll want some kind of protection from the elements - or it could lead to unnecessary fighting on the day,' another said.

TDS Workshops Update

Humboldt Redwoods Workshop Update

Our grand finale of the season will be on Sept. 18-20 in one of the most beautiful areas on the planet. Our headquarters will be in Fortuna, CA - an easy drive from the Eureka Airport only 25 minutes away.

We're located on the Eel River, and situated perfectly to explore the Redwoods just south of us. This will be an excellent event to cool off, slow down, and get some great images. Plus, you'll be able to spend some quality time with your fellow virtual camera club members.

We still have a couple openings on the reserve list. You can secure your seat by visiting TheNimblePhotographer.com, and place a fully refundable deposit for the event.

Updates and Such

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Portfoliobox - Your PortfolioBox site is the best way to show off your best images.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #682, April 9, 2019. Today's theme is "Spark Joy by Organizing Our Camera Gear." I'm Derrick Story.

Opening Monologue

Marie Kondo is a best-selling author who hosts a show on Netflix titled Tidying Up. Her mission is to spark joy through cleaning and organizing using the KonMari Method. She attacks clutter by organizing a home into 5 categories: clothing, books, paper, komono, and sentimental items. As photographers, our gear falls into the komono category, and that is the focus of today's TDS podcast.

Spark Joy by Organizing Our Camera Gear

Even though I've never seen Marie address photography gear directly, her systems lends itself well to our challenges, which I see as two-fold: 1) Avoiding redundancy in cameras and lenses, and 2) providing organized access to the items that we use.

To help us tackle both challenges, I have five steps for you to consider when address your gear.

• Make a list of all the gear that you own - This is important to help us spot redundancies. In her show, Marie has clients put all of their clothing on the bed so they can see how much stuff they have accumulated. We can do the same with our gear, either physically or by list. Either way, this step is critically important.
• Organize gear by category - For example, I have one kit that I use for my public relations clients, another for my personal travel, and a third for my portrait and studio work. Every piece of gear must go in a category.
• Review your categories for redundancies - This is where the opportunity for thinning happens. Do you really need 3 zoom lenses that cover the same focal lengths? Tighten up your categories so that you have what you need, but nothing more. The items that don't make the cut can be sold for cash.
• Create storage units that are organized by the categories that you've established - Old camera bags are great for this. Each category should have its own storage unit or units. These containers should fit neatly into a secure space that you've established to store your gear.
• Get in the habit of returning gear to its assigned space after use - I will admit that there are times that I don't want to spend the extra few minutes maintaining my organizational system. But in the long run, this saves me time because I always know where everything is, and I never lose an item.

Since I've started using this system, it really has sparked joy, and Marie advocates. I actually smile when I open up my storage area and see those neatly stacked containers with my cameras, lenses, and accessories inside.

10 Life Hacks for Your Photo Studio

This is an excerpt from an article published on PetaPixel.com.

Having a photography studio is fun, but it is even more fun when you start applying simple and cheap solutions plus common sense to make your shooting experience (and your clients' experience) smoother. This is the list of what I think are the smartest and most useful photography studio life hacks.

• Transparent Rubber Hairbands
• Wine Boxes
• IKEA Pegboard
• Shelf Rails and Wood
• Metal Clips and Magnets
• Shoe Rack
• Elastic Ropes and Clips
• Door Stopper
• Silver Reflector Backdrop
• Neon Tubes and PVC Corrugated Roofing Sheets

TDS Workshops Update

Sonoma Coast Workshop Update

I've secured a beautiful home for us just south of Bodega Bay. This will serve as our headquarters during the event. There's plenty of room for our classroom and presentation work, plus beautiful areas for relaxing, and even sleeping accommodations for those who wish to stay there.

We've just had one seat open up. So I've updated the inventory on the reserve list page. And you can place your deposit if you want to join us. If you do, you'll have an incredible photography experience.

Updates and Such

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Portfoliobox - Your PortfolioBox site is the best way to show off your best images.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

.

.

Opening Monologue

It is stealth black and can hide behind an iPhone without detection. It is so nondescript that you can point it directly at a subject on the street, and they will barely notice that a camera is pointing at them. Yet, once an exposure is made, the takeaway is a high quality 24MP image that's capable of making posters. What is this ninja camera? It is the Ricoh GR III, and it's the subject of today's TDS photography podcast.

Ricoh GR III Review and Comparison to the Fujifilm XF 10

What a feeling of freedom to embark upon an afternoon of street photography in San Francisco with nothing more than the Ricoh GR III ($899) in my front pocket. Between that, and my iPhone on the other side, I had everything that I needed for my adventure.

Today, I'm going to talk about the performance and the images produced by the svelt GR III. First, let's take a look at the feature highlights.

• 24.2MP APS-C CMOS Sensor
• GR Engine 6
• 28mm f/2.8 Lens (35mm Equivalent)
• 3-Axis Shake Reduction System
• 3.0" 1.037m-Dot Touchscreen LCD
• Full HD 1080/60p Video Recording
• Bluetooth LE and Wi-Fi
• Hybrid AF System, Macro Mode
• 35mm and 50mm Focal Length Crop Modes
• USB Type-C Port, 1x SD Card Slot

"Stockton Tunnel at Night" - Captured with a Ricoh GR III in Hard Monotone mode. Handheld. ISO 3200. Photo by Derrick Story.

The things that I liked about this little powerhouse:

• Very responsive - Fast performance is something that you want in a street camera.
• Really impressive image stabilization - I kept pushing and pushing the handheld long exposures, and I captured shots that I liked at 1/2 second.
• Outstanding black and white options - There are four B&W modes: Monotone, Soft Monotone, Hard Monotone, and Hi-Contrast B&W - and they are all excellent. Hard Monotone is my favorite.
• Easy to Use and Powerful Macro Mode - Just push a button, and get close.
• Handy Crop Mode for 35mm and 50mm Perspectives - I programmed the FN button to cycle through the different crop modes so I could change them on the fly. The standard dimensions for an image are 6000x4000 px. At 50mm crop mode, you still have 3360x2240 px.

"Building Speed, Union Square" - Captured with a Ricoh GR III, ISO 100, standard color mode. Photo by Derrick Story.

Now, how does the $899 Ricoh GR III compare to the $499 Fujifilm XF 10 compact camera.

• Image Stabilization Winner - Ricoh - The IS is quite good in the GR III, and the XF 10 doesn't have stabilization.
• Flash Photographer Winner - Fujifilm - Yes, the GR III has a hot shoe, but who wants to carry a flash around that's bigger than the camera? The XF 10 has a super intelligent built-in flash that works great.
• Connectivity and Geotagging Winner - Fujifilm - The XF 10 connects easily to my iPhone and uses its location data to geotag my images. After many tries, I could not get the GR III to connect to my smartphone via bluetooth.
• Film Simulation Winner - A Draw - Both cameras have great film simulation filters. The GR III is a tad better at B&W and the XF 10 is a notch better at color.
• Autofocus Winner - A Draw - The XF 10 has been criticized for its slowish autofocus, but using single point focusing, it performs about the same as the GR III. And to tell you the truth, I don't have a problem with either of them.
• Macro Mode Winner - Ricoh - The close up mode on the GR III is really good, and on the XF 10, it's really frustrating.
• Looks and Operation Winner - A Draw - I love the auto lens cap on the GR III and really don't like the removable cap on the XF 10. But the XF 10 has great looks and a leather strap compared to the nondescript styling and string strap of the GR III. I also like the around the lens command ring on the XF 10.

"Classic San Francisco" - Captured with a Ricoh GR III in Standard Color mode. ISO 100. Photo by Derrick Story.

So is the Ricoh GR III worth the hefty price tag? I think it comes down to image stabilization, hot shoe, and design. If you feel like you need IS and the hot shoe, the GR III is an excellent choice. If you don't, then you can save a lot of money with the Fujifilm XF 10.

Ricoh says it will repair GR III cameras affected by a wobbly control dial, scroll wheel

This is an excerpt from DPreview.com.

Ricoh Korea and Japan have issued a statement regarding an issue with select Ricoh GR III cameras that caused the control dial of the camera jiggles more than it should, as seen in the above video shared by Photo Rumors. Following an investigation of the issue, Ricoh says it will fix affected devices free of charge and notes that the movement of the controls does not interfere with the functionality of the camera.

The translated statement says 'The basic specification is to set a slight rotation allowance width, but as a result of investigation, it has been found that some products with the following target serial numbers have combinations with large display inclinations.'

The list of serial numbers for affected cameras can be found at DPreview.com.

The Best Photography April Fools' Day Jokes of 2019

This is an excerpt from Petapixel.com.

Favorites included: Nikon's Left-Handed DSLR, Elon Musk's Camera Ambitions, Pentax Unveils the ME-D, The SD Card Photo Printer, and my personal favorite, Minolta DiMAGE V hands-on review.

Do You Have a Film Camera that Needs a Good Home?

Over the last year, I've received donations from TDS members who have film cameras that need a good home. What I do is inspect the items, repair and clean as I can, then list them in TheFilmCameraShop where I can find a good home for them. If you're interested in donating, please use the Contact Form on TheNimblePhotographer site. And thanks for you consideration!

TDS Workshops Update

Sonoma Coast Workshop Update

I've secured a beautiful home for us just south of Bodega Bay. This will serve as our headquarters during the event. There's plenty of room for our classroom and presentation work, plus beautiful areas for relaxing, and even sleeping accommodations for those who wish to stay there.

We've started registrations for Sonoma Coast Exploration, and it looks like we have two seats open. So I've updated the inventory on the reserve list page. And you can place your deposit if you want to join us. If you do, you'll have an incredible photography experience.

Updates and Such

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Portfoliobox - Your PortfolioBox site is the best way to show off your best images.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #680, March 26, 2019. Today's theme is "Who Would Want the Olympus OM-D E-M1X?" I'm Derrick Story.

Opening Monologue

For a Micro Four Thirds camera, it's big. For a non-full frame body, it's expensive. When I tried to squeeze the OM-D E-M1X into my camera bag, it didn't fit. It is the least nimble Olympus camera I have ever held. It's like I requested a Jetta and they handed me the keys to a Caravan. So, reluctantly, I packed it up anyway, and hit the road. Here's what I discovered along the way.

Who Would Want the Olympus OM-D E-M1X?

Being a taller than average guy, I have pretty good sized hands. But when I warp my fingers around the grip of the Olympus E-M1X ($2,999), I suddenly feel a bit shorter. Putting it bluntly, this thing is a handful.

I put the camera to my eye and look through the viewfinder. It is clear and crisp with excellent readouts. I press the shutter button halfway, and the image snaps into focus. Yes indeed, it is fast.

The drive is in High Speed mode. I full press the shutter button and the camera records 15 frames in one second. RAW+Jpeg, it doesn't care. It sounds like a machine gun from a war movie. It's actually kind of exciting.

I decide to take it with me on a walk. Hundreds of frames later, I think to myself, "My word, this thing is a beast."

You're probably familiar with the specs already, so let's just recap the highlights of the OM-D E1MX.

• 20.4MP Live MOS Micro Four Thirds Sensor
• Dual TruePic VIII Image Processors
• Integrated Vertical Grip, Dual Batteries
• 2.36m-Dot 0.83x Electronic Viewfinder
• 3.0" 1.037m-Dot Vari-Angle Touchscreen
• DCI 4K/24p & UHD 4K/30p Video Recording
• 5-Axis Sensor-Shift Image Stabilization
• 15 fps Shooting and Expanded ISO 25600
• 121-Point All Cross-Type Phase-Detect AF
• Weather-Sealed Construction

So this leads us to the question, who is this camera for? I have five scenarios where I think the E-M1X is a good choice.

• The Need for Speed - If you're a sports photographer who wants to shoot mirrorless, this camera is perfect.
• Former DSLR Photographers Who Like a Good Handle - For those who have moved over from bulky DSLRs and feel that many mirrorless cameras just feel and look too small, this is your camera.
• Outdoor Photographers Who Need Strong and Long - Combine dual batteries with robust weather sealing, and you have a camera that can last all day in the nastiest of conditions.
• Photo Nerds Who Want to Geek Out - There is a ton of technology in the E-M1X. Handheld HiRez shot, Live ND Filter shooting, built-in GPS recording, configurable dual SD card slots, and more.
• Those Who Want the Best Micro Four Thirds Camera - Even if you don't care about the previous four reasons, but are someone who insists on owning the best in its class, that indeed would be the OM-D E-M1X.

Truly, it is not a camera for everyone. But for certain types of photographers, I think it's a worthy investment.

Olympus 12-200mm f/3.5-6.3 First Impressions: The all-in-one vacation zoom for MFT stretches its legs

This is an excerpt discussing the $899 Olympus 12-200mm f/3.5-6.3 from an article on Imaging-Resource.com.

In terms of initial handling, the lens feels terrific in the hands. It's very light for such a long-zooming lens, weighing in at just 16oz (455g). The 12-100mm Pro tips the scales at almost 20oz (561g) and that's with less zoom range, but of course that lens has on-board IS and a beefier build, not to mention the constant f/4 aperture, so we're talking about different animals here. And yet, for the 12-200mm to come in at 16.6x zoom and weigh only 1lb is, well, a neat feat for the Olympus engineers!

The zoom and focus rings are amply textured and certainly straightforward to operate. They don't rotate with the buttery smoothness of the Zuiko Pro lenses, but again that's not their intended market first and foremost, nor price point. It does feel quite well-built though, even if not a Pro lens. The zoom functionality, while not internal like some high-end zooms (meaning the lens doesn't change size as you zoom) is still smooth enough to be reassuring.

Autofocus operation with the E-M1 II proved quick and capable. No surprises to report here on this first impressions pass, and this combination locked focus quickly on my intended subjects. The only time this didn't happen was shooting the setting moon, as the combo struggled in twilight and I ended up using manual focus. But I've had that issue on many a camera and lens combo, including with some high-end full frame cameras, and virtually always manually focus the moon regardless of camera body, so this isn't a big deal at all.

Do You Have a Film Camera that Needs a Good Home?

Over the last year, I've received donations from TDS members who have film cameras that need a good home. What I do is inspect the items, repair and clean as I can, then list them in TheFilmCameraShop where I can find a good home for them. If you're interested in donating, please use the Contact Form on TheNimblePhotographer site. And thanks for you consideration!

TDS Workshops Update

Sonoma Coast Workshop Update

I've secured a beautiful home for us just south of Bodega Bay. This will serve as our headquarters during the event. There's plenty of room for our classroom and presentation work, plus beautiful areas for relaxing, and even sleeping accommodations for those who wish to stay there.

We've started registrations for Sonoma Coast Exploration, and it looks like we have two seats open. So I've updated the inventory on the reserve list page. And you can place your deposit if you want to join us. If you do, you'll have an incredible photography experience.

Updates and Such

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Portfoliobox - Your PortfolioBox site is the best way to show off your best images.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #679, March 19, 2019. Today's theme is "The Chill and the Thrill of Night Photography." I'm Derrick Story.

Opening Monologue

Having just spent nearly a week in the high desert, I can tell you that the nights are just as exciting as the days. As soon as the sky darkens and the stars come out, so do photographers with tripods and cameras in hand. After working with these late night shooters, I have some tips that might encourage you to bundle up and step into the starry night. All of that and more on today's TDS Photography podcast.

The Chill and the Thrill of Night Photography

"Desert Sky" by Dennis Lewis (@lewisontheorad on Instagram) captured during the TDS Joshua Tree Photography Workshop - Olympus OM-D E-M1 II with Rokinon 12mm f/2 lens, 30 seconds, f/2, ISO 400, light painting on the Yucca Tree.

Some of my favorite images from the Joshua Tree Photography Workshop were captured well into the evening. We had a number of things going for us.

The Adobe Rockhouse, our HQ, was about 3500' in altitude above the city lights of Yucca Valley below. Plus we had wonderful rock piles and Joshua Trees to use for our foreground subjects, with the starry nights in the background.

Most us learned tips from the others for compelling night shots, and I'm sharing five of my favorites with you right now.

• Get the Right Lens - You'll need a wide prime for effective star photography. A favorite among our group was the Rokinon 12mm f/2.0 NCS CS lens for Micro Four Thirds ($249-$399 depending if it's on sale). It's fast and wide (24mm on MFT) and has enough light gathering power for stars. Also check the Samyang 12mm f/2.0 NCS CS Lens for Micro Four Thirds
, which is essentially the same lens. You should be able to get one of them for under $300.
• Test Your Infinity Setting - First you need a lens that allows you to manually focus and includes an infinity marker. But beyond that, you need to test where infinity actually is. On the Rokinon, for example, the sharpest infinity was just past the infinity marker. We fine tuned this through testing.
• Get the Formula for Star Exposures - I recommend the article, Learn How to Shoot Stunning Milky Way Photos in Five Minutes. That's what many of us used as a starting point. The basic exposure was 20-30 seconds wide open with the 12mm. ISO was between 400 and 1600 depending on the conditions.
• Use Your Flashlight for Light Painting - A few brush strokes with the flashlight on foreground subjects can add pop to them and help you create an overall compelling composition. Don't overdo it - just a second or two will suffice.
• Consider a Clear-Night Filter to Offset Sodium Vapor Lights - If you don't care to the overly yellow-orange tint that comes from sodium vapor lights in the surrounding city, consider a Haida 67mm NanoPro MC Clear-Night Filter ($67) or equivalent to help you better control the color. These aren't helpful if you have LED streetlights in the surrounding area.

A Recap of the Joshua Tree Photography Workshop

Here's an overview of the highlights from our trip.

Nikon Now Includes the $250 FTZ Lens Adapter for Free with the Z6 and Z7

Via PetaPixel.

If you shoot with a Nikon full-frame DSLR and have been considering a jump to the new Z Series of full-frame mirrorless cameras, it's now easier on your wallet to bring your existing lens collection over with you. Nikon is now bundling the $250 FTZ (F-mount to Z-mount) lens adapter for free with the Nikon Z6 and the Nikon Z7.

The FTZ adapter allows over 360 F-mount NIKKOR lenses to be used on Z Series mirrorless cameras with no change in image quality, and it guarantees full compatibility with over 90 NIKKOR lenses. F-mount lenses mounted via the adapter can make use of Z camera features such as Hybrid-AF and 3-axis in-camera Vibration Reduction (VR).

TDS Workshops Update

Sonoma Coast Workshop Update

I've secured a beautiful home for us just south of Bodega Bay. This will serve as our headquarters during the event. There's plenty of room for our classroom and presentation work, plus beautiful areas for relaxing, and even sleeping accommodations for those who wish to stay there.

We've started registrations for Sonoma Coast Exploration, and it looks like we have two seats open. So I've updated the inventory on the reserve list page. And you can place your deposit if you want to join us. If you do, you'll have an incredible photography experience.

Updates and Such

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

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You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #678, March 12, 2019. Today's theme is "Accidental Time Capsules." I'm Derrick Story.

Opening Monologue

Most of us have been shooting digital cameras longer than we realize. And even if we've been good about archiving, we probably haven't browsed those decade-old drives in a while. And then, there are those memory cards that we have stashed in a desk drawer somewhere. They are flattened time capsules. And it's time to pull them out and see what they contain.

Accidental Time Capsules

Here's a story that began with a search for a few CF cards to use with a Nikon D700 that I just bought, and what I discovered as a result.

U.S. Supreme Court Holds That Copyrights Must Be Registered before Plaintifs Can File Infringement Suits

This story is from the National Law Review. You can read it in its entirety there.

The U.S. Supreme Court held today that bringing a suit for copyright infringement requires that the infringed work actually be registered with the U.S. Copyright Office, and that a mere application for registration will not suffice.

The ruling makes it even more imperative that copyright holders register their works promptly if they wish to enforce their rights--on top of the already considerable financial incentives that the U.S. copyright regime provides for registered works.

Justice Ginsburg, writing for a unanimous Supreme Court, held that only after the application has been "registered" and issued by the Copyright Office--a process that can take months--may a plaintiff bring a lawsuit to enforce its copyrights.

Interesting Stories on the Red River Blog

Among everything else that it does, Red River Paper also publishes a terrific blog. Recent articles include road trip photography, wildlife refuges, and smartphone accessories. You might want to swing by for a read, then bookmark it once you do.

Do You Have a Film Camera that Needs a Good Home?

Over the last year, I've received donations from TDS members who have film cameras that need a good home. What I do is inspect the items, repair and clean as I can, then list them in TheFilmCameraShop where I can find a good home for them. If you're interested in donating, please use the Contact Form on TheNimblePhotographer site. And thanks for you consideration!

TDS Workshops Update

Joshua Tree Workshop Update

We will have the Olympus OM-D E-M1X to work with at the event. Participants will be able to experience this latest technology wonder in the beautiful high desert.

Sonoma Coast Workshop Update

I've secured a beautiful home for us just south of Bodega Bay. This will serve as our headquarters during the event. There's plenty of room for our classroom and presentation work, plus beautiful areas for relaxing, and even sleeping accommodations for those who wish to stay there.

We've started registrations for Sonoma Coast Exploration, and it looks like we have two seats open. So I've updated the inventory on the reserve list page. And you can place your deposit if you want to join us.

Updates and Such

Inner Circle Members: I have a new goodie for you this week. Go over to the Patreon site now to watch an introduction to how the new library manager works in Luminar 3. Now that version 3.0.2 is out, I think Luminar 3 is worth a look. If you're curious, take a look at this benefit for Inner Circle Members. And if you want to join the Inner Circle, visit our Patreon site, or click on the tile that's on every page of The Digital Story.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Portfoliobox - Your PortfolioBox site is the best way to show off your best images.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #677, March 5, 2019. Today's theme is "Spectre - An Amazing iPhone App I'm Derrick Story.

Opening Monologue

There are moments when Artificial Intelligence seems to defy the laws of physics. After testing the iOS app Spectre, I think capturing motion will forever be changed. This software may also drive the final coffin nail for tripods and virtually every other camera support that we once lugged around. Sound crazy you say? Tune in and find out that it's real, it's right now, and it's only $3.

Spectre - An Amazing iPhone App

I've spent a lot of time around the Santa Rosa Creek lately. The water is high and running fast. I can cruise a long stretch of the creek on bike thanks to Prince Memorial Greenway that runs along the shore.

So far this year, I've captured some pretty good water images. But all of that took a turn for the better recently after I uploaded the Spectre photo app to my iPhone and went for another ride. What I came home with was far superior to anything I had shot so far this year.

Spectre is a $3 iPhone app that does three basic things:

• Long exposures for soft water shots.
• Streaming lights such as cars on a nighttime highway.
• Making people disappear from crowded locations such as tourist sites.

Compatibility: Spectre works on iPhone 6 and newer and requires iOS 11 and up. Spectre's smart Automatic Scene Detection requires iOS 12. AI-based stabilization features are only available on devices with a Neural Engine (iPhone 8 and later). On iPhone 6 and iPhone 6 Plus, Spectre captures in lower resolution.

The handheld long exposures are quite good, and they are higher quality images that my previous favorite method of converting Live View shots to long exposure with Photos.

Essentially, these are Live View files. But the secret sauce is a slightly improved recipe. When viewing the Jpeg files in Photos, they do show the Live View badge, but they certainly don't play the same way as those from Apple. If you're using Photos for macOS, your Spectre images will appear in the Live Photos album under Media Types.

Here's what they say on their site: "Spectre's intelligent computational shutter takes hundreds of shots over the span of a few seconds, and saves them in an accompanying live photo. That means you can pick a different frame as your photo, apply live-photo effects, and even use the long exposure as a live-wallpaper!

Spectre is a packed with powerful technology from by the team that brought you Halide. From machine learning-based scene detection to computer vision aided image stabilization, Spectre is jammed full of impressive technologies to get the best possible image.

On the downside, I have seen occasional banding at the very top or bottom of some images. This isn't consistent, and when it has appeared, I've just cropped it out.

Overall, though, Spectre is very impressive. It's intuitive and has the ability to produce great pictures - without a tripod.

Olympus Says that the OM-D E-M5 Mark III is Coming

I'll read from an interview with Olympus at the CP+ trade show in Japan. The full interview can be read on Imaging-Resource.com.

Do You Have a Film Camera that Needs a Good Home?

Over the last year, I've received donations from TDS members who have film cameras that need a good home. What I do is inspect the items, repair and clean as I can, then list them in TheFilmCameraShop where I can find a good home for them. If you're interested in donating, please use the Contact Form on TheNimblePhotographer site. And thanks for you consideration!

TDS Workshops Update

Joshua Tree Workshop Update

We will have the Olympus OM-D E-M1X to work with at the event. Participants will be able to experience this latest technology wonder in the beautiful high desert.

Sonoma Coast Workshop Update

I've secured a beautiful home for us just south of Bodega Bay. This will serve as our headquarters during the event. There's plenty of room for our classroom and presentation work, plus beautiful areas for relaxing, and even sleeping accommodations for those who wish to stay there.

We've started registrations for Sonoma Coast Exploration, and it looks like we have two seats open. So I've updated the inventory on the reserve list page. And you can place your deposit if you want to join us.

Updates and Such

Inner Circle Members: I have a new goodie for you this week. Go over to the Patreon site now to watch an introduction to how the new library manager works in Luminar 3. Now that version 3.0.2 is out, I think Luminar 3 is worth a look. If you're curious, take a look at this benefit for Inner Circle Members. And if you want to join the Inner Circle, visit our Patreon site, or click on the tile that's on every page of The Digital Story.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Portfoliobox - Your PortfolioBox site is the best way to show off your best images.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #676, Feb. 26, 2019. Today's theme is "What We Can Learn from the Movies" I'm Derrick Story.

Opening Monologue

The Academy of Motion Picture Arts and Sciences awarded Oscars in a variety of categories on Sunday night. Aside from the sheer star power on display, there's an amazing amount of artistic risks and rewards that can serve as lessons for our own work. In this week's show, I present 5 photography takeaways from my favorite movies of 2018.

What We Can Learn from the Movies

Green Book - Honored for Best Picture, this story of a road trip through the Southern United States at a time of segregation is a great illustration of juxtaposition. A white driver hired by a black musician overcoming their predisposed judgments as they meet challenge after challenge.

We can bring that same richness to our photography by creating and finding images that challenge our viewer's preconceived notions. Picture this: a little old lady helping a fireman across a busy street.

Bohemian Rhapsody - The story of the rock band Queen and its front man Freddy Mercury. They were not always popular, in fact, far from it in the early years.

This is an excellent lesson in being true to your vision, even when others discount its merit. Not every artist who insists on going his or her own way will enjoy the success of Queen. But they can share in a similar satisfaction that they followed their vision and refined it to the best of their ability.

Blackkklansman - This story of a black under cover detective impersonating a white man and gaining access to the Klu Klux Klan is both entertaining and thought provoking.

The reason why I think Spike Lee enjoy success with this film is because he found the balance between humor and message. I our current polarized society, shouting louder than the next guy has diminishing returns at best. If you're using your art to convey a message that's important to you, then find a way to share it without alienating the very audience that you want to convince.

Crazy Rich Asians - Rich boy falls in love with sweet girl of lesser financial means. She then has to win over the family to move the relationship forward.

My lesson from this movie was a reminder not to overlook the power of love. The trick is, how does one tell the story with a fresh voice? My answer is, that the message is so universal, that if you can put a new face on it, viewers will embrace it.

Photographs that capture the relationships in life can indeed be powerful. Don't forget to look outside your own culture for these images. A long-standing emotion with a different look can make viewers pause and take note.

The Ballad of Buster Scruggs - This Cohen Brothers film shares a series of short stories with a theme that portrays to twists and turns of life.

The collection of shorts presented in one movie shows the power of a photo essay. We're able to see the different angles of how this theme plays out as we progress from one vignette to the next. The parts come together with impact, and in a way that none of the individual stories could on their own.

Portfoliobox Tip of the Week

Image Quality - The higher quality your images have, the heavier the files would be. When you have lots of big and heavy image files on your website, it would affect your page speed.

You could speed up the loading of your website by slightly reducing your image quality. In Portfoliobox, you can adjust the image quality by clicking on the Cogwheel Icon > Settings > General > Website > Image Quality. The image quality scale is from -1 to 1. -1 is the lowest and 1 is the highest. You can try out different quality level to find the best option for your website..

I've added my Portfoliobox site to the nav bar on TheDigitalStory.com as the About Me page. I can't think of a better way to introduce myself to the public.

To create your own Portfoliobox site, click on the tile or use this link to get started. If you upgrade to a Pro site, you'll save 20 percent off the $83 annual price.

Skylum announces development of AirMagic drone imaging software

Via DP Review

Looking at the teaser video above AirMagic is capable of detecting what drone camera an image has been captured with. It can then scan the scene for haze, skies, and presumably other image elements and artifacts, before automatically adjusting exposure, color and other parameters for an optimized end result.

TDS Workshops Update

Sonoma Coast Workshop Update

I've secured a beautiful home for us just south of Bodega Bay. This will serve as our headquarters during the event. There's plenty of room for our classroom and presentation work, plus beautiful areas for relaxing, and even sleeping accommodations for those who wish to stay there.

We've started registrations for Sonoma Coast Exploration, and it looks like we have two seats open. So I've updated the inventory on the reserve list page. And you can place your deposit if you want to join us.

Updates and Such

Inner Circle Members: I have a new goodie for you this week. Go over to the Patreon site now to watch an introduction to how the new library manager works in Luminar 3. Now that version 3.0.2 is out, I think Luminar 3 is worth a look. If you're curious, take a look at this benefit for Inner Circle Members. And if you want to join the Inner Circle, visit our Patreon site, or click on the tile that's on every page of The Digital Story.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Portfoliobox - Your PortfolioBox site is the best way to show off your best images.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #675, Feb. 19, 2019. Today's theme is "Canon EOS RP - Mirrorless Rebel or Modern 5D?" I'm Derrick Story.

Opening Monologue

The ground is still shaking from Canon's announcement of a full-frame mirrorless camera for $1,300. Are they bringing their successful Rebel strategy to the mirrorless space, or is this something more? Also, a follow-up and correction to last week's show on copyright protection. All of this, and more, on today's TDS photography podcast.

Canon EOS RP - Mirrorless Rebel or Modern 5D?

One of Canon's best marketing moves was creating the Rebel brand, long before digital. This gave them the ability to introduce new technology in a less rugged package for a very affordable price.

As I look at the just-announced Canon EOS RP, I'm feeling that wave of genius all over again. Let's take a look at its specs.

• 26.2MP Full-Frame CMOS Sensor
• DIGIC 8 Image Processor
• UHD 4K and Full HD 1080 Video
• 2.36m-Dot OLED Electronic Viewfinder
• 3" 1.04m-Dot Vari-Angle Touchscreen LCD
• Dual Pixel CMOS AF, 4779 AF Points
• ISO 100-40000, Up to 5 fps Shooting
• Wi-Fi and Bluetooth Connectivity
• The RP has a few extra features such as the intervalometer function and 4K Video Time-lapse. It also has a silent shutter mode (electronic).
• Headphone and mic ports

But there are a few things missing as well.

• No sensor-based image stabilization (For video there is an electronic option that works with optical stabilisation.)
• 5 fps continuous shooting (4fps with AF Tracking enabled) 50 frame limit in RAW format.
• 250 shots you get from the LP-E17 battery in the EOS RP
• There are currently four lenses available and the brand has announced the development of six more in 2019. Most of these lenses (fast zooms and primes) are on the expensive side however. The most affordable zoom is the 24-105mm which still costs around $1K. The system needs more affordable kit lenses that can better suit a camera like the RP. Canon includes an RF to EF adapter in the box so that you can have access to its vast selection of DSLR lenses. However given the compact design of the RP, this solution will likely unbalance the camera.
• Minimum weather sealing - no gaskets.
• No built-in flash.
• Operating temperature only down tp 32 degrees f.
• No top LCD screen

All in all, I think that the specs for the RP are very impressive. And if you didn't have to mount a lens on this camera, it's a bargain.

But you do, and the 24-105mm RF lens is roughly a $900, and weighs 1.5 pounds. The best choice right now is the Canon RF 35mm f/1.8 IS Macro STM Lens, which is available for $450. After that, the affordable pickings are pretty slim.

Overall, the Canon EOS RP goes beyond the Rebel series and is more like a lightweight 5D at its introduction. And once there are lenses for this camera, photographers can make real decisions about its usefulness for their work.

Portfoliobox Tip of the Week

Move images from one gallery to another - You have uploaded photos to a gallery but think some of them would fit better in a different one. You don't actually need to manually delete them and upload them again -- we've saved you some time and made it effortless. Select the images that you wish to transfer and choose the new gallery under the drop-down menu Move to gallery.

I've added my Portfoliobox site to the nav bar on TheDigitalStory.com as the About Me page. I can't think of a better way to introduce myself to the public.

Photo Challenge: Up Close

Congratulations to Craig Tooley, the honored image in our Up Close photo challenge for his mushroom image. Craig wrote, "It was shot held on a beanbag at 1/8 of a second with what I would list as a lenses I would be hard-pressed to give up, the Olympus 60 mm f2.8 would be one of those lenses. It's very sharp I think and fast and light and is just exquisite on the Olympus OMD EM1 mark 2." Craig will be upgraded to a Pro Membership for his efforts.

To create your own Portfoliobox site, click on the tile or use this link to get started. If you upgrade to a Pro site, you'll save 20 percent off the $83 annual price.

Follow Up to Last Week's Show about Copyrights for Photographers

I received some very helpful email from listeners after last week's interview with Maggie Hallahan about copyrights for photographers. I'd like to share a couple of them with you now. None of this is legal advice. Rather, these are real life experiences of photographers in our audience.

Scott Davenport wrote: "Caught up on TDS 674 today. Interesting info from Maggie about the business side of her client dealings.

With copyright though, I am pretty sure the registration of an unlimited number of photos is gone as of mid-2018. Whether it is published or unpublished works, a single application is capped at 750 images. It's much more expensive to register all photos from a given shoot, especially if you're a prolific photographer (i.e. weddings and events).

For my work, I copyright only my published works. There is a provision that, so long as your application is submitted within 90 days of first publication, you can get full protection under copyright law. It takes an amount of discipline, but very doable. To the point you raised in the podcast about workflow, this might be of interest to your audience.

Mayra Martinez wrote: "I just finished listening to your latest podcast (#674) on copyright. I need to point out that some of the points made by your host are no longer current:

1. Unlimited submissions are a thing of the past. Group submissions of unpublished photographs are limited to no more than 750 photos.

2. In addition to submitting the digital photos, completing the online submission (preferred method by copyright office) requires a list with title and file name for each photo in the group.

These two points are part of the following pdf in the copyright.gov site: https://www.copyright.gov/eco/gruph-transcript.pdf. (Definitely check out this link!)

The changes in the number of images per submission were implemented on 2/20/2018. More draconian measures were about to be made later in the year, but the public comment period was extended until June 21, 2018, and then everything stopped. You can read about it in Ed Greenberg's and Jack Reznicki's The Copyright Zone post on May 24, 2018.

A big thanks to both Scott and Mayra for there contributions to this conversation.

TDS Workshops Update

Sonoma Coast Workshop Update

I've secured a beautiful home for us just south of Bodega Bay. This will serve as our headquarters during the event. There's plenty of room for our classroom and presentation work, plus beautiful areas for relaxing, and even sleeping accommodations for those who wish to stay there.

We've started registrations for Sonoma Coast Exploration, and it looks like we have two seats open. So I've updated the inventory on the reserve list page. And you can place your deposit if you want to join us.

Updates and Such

Inner Circle Members: Our new Photo Challenge is RAW Capture. Check your Patreon page for the details and prize. And thanks for supporting this podcast!

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Portfoliobox - Your PortfolioBox site is the best way to show off your best images.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #674, Feb. 12, 2019. Today's theme is "Photography and Copyright - An Interview with Maggie Hallahan." I'm Derrick Story.

Opening Monologue

The online world has changed the business landscape for artists who care about protecting their intellectual property. But there are reasonable, affordable steps that you can take to protect your images from being used by others without your permission. And on this week's show, I talk with professional photographer Maggie Hallahan about those very steps. I hope you enjoy the show.

Photography and Copyright - An Interview with Maggie Hallahan

Even though Maggie's client list include big names like Microsoft, the things she's learned to prepare her for those jobs can help us in our everyday photography projects. In this interview, Maggie covers the specific steps that she takes to copyright her images.

Maggie Hallahan

You can learn more about Maggie by visiting her site, mhpv.net.

Portfoliobox Tip of the Week

Here's how to create a professional looking contact page in Portfoliobox. This step-by-step video makes it easy, and you will have your online in just minutes.

I've added my Portfoliobox site to the nav bar on TheDigitalStory.com as the About Me page. I can't think of a better way to introduce myself to the public.

Photo Contest: Up Close

To enter, send your best close-up image to thenimblephotographer@gmail.com by Feb. 12, 2019. Subject Line: Up Close. Entrant must have captured the image and performed all of the post production on it. Recommended size of the image is 2000 px on the longest edge. The selected image will be featured on TheDigitalStory and the photographer will receive a 1-Year Pro Account with Portfoliobox.

Speaking of winners, congratulations to Rhys Gwyn - Tops in the TDS B&W Portrait Challenge. To honor his top entry, Rhys will receive a 1-year Portfoliobox Pro site upgrade. Way to go!

To create your own Portfoliobox site, click on the tile or use this link to get started. If you upgrade to a Pro site, you'll save 20 percent off the $83 annual price.

ProGrade Digital's Recovery Pro Can Save Lost RAW Photos

As reported on Petapixel.

Recovery Pro goes beyond JPEG files and recognizes other types of photo files as well, including most types of files (including RAW) from cameras by companies like Canon, Nikon, Sony, Fuji, Panasonic, DJI, GoPro, and more (e.g. TIF, CRW, CR2, DNG, NEF, ORF, SRF, PEF, JPEG, BMP, GIF, PNG). In total, the software is currently capable of recovering over 90 different types of photo, video, and audio files from SDXC, microSDHC/XC, CompactFlash, and CFast cards.

ProGrade Digital Recovery Pro is compatible with both Windows 10 and Mac OS X, and it's available for $50 for a 12-month subscription. If you'd like to give it a try, there's also a "try before you buy" evaluation copy.

TDS Workshops Update

Sonoma Coast Workshop Update

I've secured a beautiful home for us just south of Bodega Bay. This will serve as our headquarters during the event. There's plenty of room for our classroom and presentation work, plus beautiful areas for relaxing, and even sleeping accommodations for those who wish to stay there.

The reserve list has filled up, and registration starts next week. If you want to be on the waiting list, drop me a line via the Contact Form on www.thenimblephotographer.com.

Updates and Such

Inner Circle Members: Our new Photo Challenge is RAW Capture. Check your Patreon page for the details and prize. And thanks for supporting this podcast!

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Portfoliobox - Your PortfolioBox site is the best way to show off your best images.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.